the concrete is cold and bare and grey and the snow is falling but the ground hasn't frozen so it just half melts into slush that seeps through your shoes, and you're colder, shivering, but you can't help but stand in the middle of this all and stare in wonder at how simple things look now .
26/10/2008
equilibre.
i can't tell if it's a conscious decision to treat me this way, if you are aware of the chain with which you pull me from side to side effortlessly or if it's weightless, as insignificant to you as any other.
jump, drift, slide from place to place, from one to another.
it doesn't mean a thing.
it doesn't mean a thing.
your lips on my lips.
and your lips on his.
.
intelligent.
.
you're too young.
.
and i'm too powerless.
.
and i'm strung
and tuned
and played out.
23/10/2008
08/10/2008
you can be happy in...
happiness promised or imagined seems infinitely more interesting than happiness delivered. the mind cannot feel the things it imagines itself feeling as fully as the heart hope, so the only happiness that does not fail to live up to expectations is the one i wasn't expecting.
06/10/2008
home.
we scratch at scabs, careful not to bleed to long
but always open, always bare
and another place, another bandage, someone else to stitch me up
but i run to you to bleed it out
home: to that sinking feeling and familiar roads
take the bandage off, let things heal
wear the scar, a mark of pride
i cut the strings that play sad songs
and i'd strangle you with them if i could
but my hands they tremble so
home: to that sinking feeling and familiar roads
you speak in platitudes, i hear fear
you say it's for the best, i loved the worst in you
you say you'll go at last, i won't say no
home: to that sinking feeling and familiar roads
i cut the strings that play sad songs
and I'd strangle you with them if i could
but my hands they tremble so
but my hands they tremble so
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